Associated Press Writer
Sprinkled throughout an exhibit of memorabilia from the movie “Gone with the Wind” at the N.C. Museum of History are reminders that racial attitudes during the era when the film was released had not changed much since the period shown on screen.
The exhibit, “Real to Reel: The Making of Gone with the Wind,” opens Friday. On display are 120 items from the personal collection of Jim Tumblin, a former head of the Universal Studios makeup and hair department who lives in Oregon and Hawaii.
It includes costumes, Vivien Leigh’s Academy Award and the story boards created by William Cameron Menzies. Curator Katie Edwards also notes the ugliness of the times, such as the original segregation of the set in Culver City, Calif., and the banning of the black actors from the December 1939 premiere in Atlanta.
“Just like you can’t talk about the Civil War without talking about slavery, you can’t talk about ‘Gone with the Wind’ without talking about racism,” said Steve Wilson, film curator at the Harry Ransom Center at the University of Texas at Austin, home of producer David O. Selznick’s papers.
Selznick decided early on not to mention the Ku Klux Klan in the movie, Wilson said, and the n-word also wasn’t used. Hattie McDaniel, who played Mammy, and Butterfly McQueen, who played Prissy, were three-dimensional characters, which was unusual for the times, yet they also were stereotypes, he said.
The curator’s notes highlight aspects of the era in which the movie was filmed, including this one: The Culver City, Calif., set was segregated until an extra complained about the separate bathrooms to Clark Gable, who said the actors would quit if it continued.
The stars of the show are the clothes: Scarlett O’ Hara’s dress from the Shantytown scene; Bonnie Blue’s velvet dress from her final scene; Belle Watling’s burgundy velvet jacket and fur muff; and the uniform that Ashley Wilkes wore when he returned home at the end of the Civil War.